Minimalist Feminine Paintings by Laura Berger

Multi-disciplinary Laura Berger creates abstract environments and explores universal themes of rituals, nature, and liberty in her portraits of female subjects. Berger works primarily in oil on the wood panel but also brings her characters to life in ceramics and large murals. Although the scenes in her paintings fluctuate broadly, Berger has generated a touch colour palette and minimalist human form that’s instantly recognizable.

Berger explains that she studied theater performance and design, and pursued painting as a personal practice, teaching herself and developing her style on her own. She shares with Colossal:

Finding my current style has been a gradual process that’s evolved over several years of working full time at painting. It’s always changing, though I feel a bit more settled in lately and I think the changes are maybe happening in slower, more subtle ways now. I think styles continue to evolve with the changes in our own selves and lives—the things that happen in our inner world and our outer experience both play a part; getting older affects creative work as we see new things and grow as people

Her female characters tend to sport dark shoulder-length hairdos, and Their hardy trunks and slender arms fold and fit together with almost Escher-like geometry. Round suns, oversized flowers, and warm-climate plants like palm leaves and cacti are most frequently alongside the girls, producing visual signature points along with a hint of story in the otherwise flat fields of background color.

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Photographer Peter Trembeczki Explores The Relics of Hungary’s Industrial Past

Peter Got his BA Level as an economist and later graduated from The Photography MA programme of the Moholy-Nagy University Art and Design in Budapest, Hungary. Interested in the collective memory, his photo narrative Victory is an exploration of Hungarian industrial and public buildings which have been either abandoned or modified. Owing to the various degrees of erosion and reconstruction they have experienced, these buildings have taken on a different, and at times, grotesque, identity. They’ve become subjects of collective remembrance — instances of a nation’s socio-political psyche.

“I grew up in a tiny agricultural city in southern Hungary. Went bankrupt or obtained privatized. This generated a sad, fragmented and at The exact same time, colorful landscape: a huge portion of the once-thriving Industrial buildings and assets were left to rust. I thought then This was a sad opinion; however, today I consider it as part of our visual Civilization,” Peter told The Calvert Journal.

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Otherworldly Panoramic Photographs of Churches by Peter Li Bring

Photographer Peter Li utilizes panoramic photography to present a new perspective into the breathtaking structure of churches from around the world. By catching the entirety of this ceiling and supporting columns, Li enables the viewer to find the chance to feel what it’s like to stand in the center of these grand buildings, while also attaining a viewpoint that’s not possible to get without digital intervention.

One of the many stand-out aspects of the photographs is that the symmetry that is highlighted when a chapel‘s interior is stretched. This element, Li tells Colossal, is precisely what gives the essay its overall equilibrium. Lighting factors and also the season are also essential components that make a panorama more compelling to take. Shapes and shadows appear differently in each space based on where the sun might be overhead, and if at a particular position, this may be very disruptive to the photograph.

When all components fall into place, however, Lee accomplishes photos that are genuinely transportive. His pictures not only take us to a different location on the planet but also enable us to be slightly removed from our great reality. “It divides us from reality, plays with our understanding of form and form and produces a sense of another world. Through my photography, I expect to impart the mysterious nature to the viewer, encouraging them to take a short step out of their truth.”

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Australian Wildlife Lamp – Roo Light

A Kickstarter project, Roo Light was inspired by Australia’s distinct wildlife, and it aims to offer a refreshing and personable change to the monotony of trending minimalist products. 3D printing allows us to produce a special form that is partially wireframe to allow LED lighting to diffuse onto any surface. Kito Studios was inspired by an impromptu trip to China’s lighting manufacturing powerhouse Guzhen, where its products make up 60% of China’s market. We witnessed countless mass-produced clones in traditional factories and saw potential in harnessing innovative manufacturing technologies to bring customized products to the average customer.