Artist Jeff Soan Creates Cute Wooden Animal Sculptures with Articulated Torsos and Tails by

Sculptor and toy manufacturer Jeff Soan transforms old furniture, driftwood, industrial pallets, and other reclaimed wood into monsters of the land and sea. Employing a self-described technique referred to as”Wobbly Wood,” Soan generates articulation in his sculptures by scoring the timber into multiple sections together with their tails and torsos. This permits them to wiggle and gently move side-to-side as they are picked up or stroked. To be able to remove as much waste as possible, the artist considers future sculptures throughout the building of every otter, pangolin, or mollusk.

Soan studied design and art in Goldsmiths College in London in the 1960s and followed up his art instruction with a class in toy manufacturing in the London College of Furniture. You may see a lot of his sculptures and illustrations of “Wobbly Wood” works on his website and Instagram.

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Artist Assembles Sculptures of Mythical Characters from Found Wood

Bennett Ewing, better known as Eyevan Tumbleweed, is a nature lover and artist who is an expert in wood sculpture, creating a succession of visages comprised of bits of wood that he collects from hills, mountains, swamps, forests, rivers, and beaches.

The wall hanging sculptures of faces in his group are pieced together meticulously and marginally extemporaneously, employing the natural colors, patterns, and instructions of various wood fragments to create countenances not wholly human nor entirely Elvin or fay.

Bonded with glue and reinforced with epoxy, the sylvan entities and their expressions of emotion and thought to portray a glimpse of an otherworldly kingdom which is not altogether unfamiliar. His technique ranges from smooth and spiraling to irregular and rough, blending fantasy with fact and impressionism with ornate design — an effect that might be something along the lines of abstract realism.

Unlike artists of other mediums, Eyevan can’t just buy more stuff in the art supply store. Instead, he always has an excuse to investigate the character, in search of the timber pieces to bigger unidentified puzzles.

H/T creativeboom

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Atmos Studio Designed Mesmerising Plant-like Structure Staircase For HIDE bar

Multidisciplinary creative studio Atmos located in London was commissioned to design and produce the exuberant centerpiece stairs that weave between the three levels of experience in HIDE bar on Piccadilly Road, London. The stair‘s design delivers a plant-like structure which grows like an irrepressible life-force from beneath, bursting out of the shadows of their cellar towards the daylight above. ‘stairstalk’ unfurls in the 1st-floor level, as if reuniting using its vast household of arboreal brethren in green park nestling just past the full-height scenic glazing fronting Piccadilly.

Stairstalk’s whole surface is made of European walnut; the most critical structure has been layered from glued pieces of thin oak veneer, laid and laminated together against curved molds then hand-sanded into shape to shape an elaborately-curving lumber structure whose visible grain lovingly communicates its route. Atmos’ evolving layout took its cue from the natural palette, playful imagination, and keen aesthetic developed by the interior designer and the project customer.

The stair slides along a smooth bar wall to its left before this cedes in the coil’s center into a circular glass-domed beer-hop rummager, especially referred to as a hand-turned cast-iron set of cogs that mention the distilling process — and permit the barman to rotate and access the bottles inside. On its other side, the wall flanking the hidden elevator undulated and protruded to inflect the stair geometry, just as both ceiling borders meeting the stair also undulated to meet it.

The inner balustrade split where it strikes the ground level to form a fibrous offshoot that encircles the stair void, bifurcating to continue upwards as the major stair stem, but additionally unwrapping to form front nosing of the tread only 1 step upward, which subsequently further bifurcates to not only wrap around the border of the 1st floating tread (eventually mixing back into the stringer where it sprung, its fibers invisibly flawlessly together with the ridges of its underside), but also then climbing as a robust thick strand which eventually forms the outer handrail, gliding up before wrap around the wall to the lift. The tread geometries were assembled from pure arcs, conjoined tangentially and effortlessly in their tips, for simplicity of transcribing drawings into fabricated elements.

The oak was slightly darkened with natural stains and oils to help reveal its grain, brushed on thicker and more densely in regions of desirable contrast, which also helps ease optical navigation of the stairs‘ heady forms. The concealed metal center, structurally required to permit the stair to float upward free from constraint at the walls, is permitted to shimmer through briefly at front nosings. All floating cantilevering treads above floor level were fortified with 10-15 mm layers of stainless steel plate, which were further sheathed in plywood and interconnected with short, thin steel stubs — reinvigorating the structural principle under which cantilevered stone treads were traditionally reinforced.

h/t designboom

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Scott Slagerman Studio Creates Elegant Glass Vases Inside Pieces Of Wood

To explore the symbiotic relationship between two vastly different materials, LA-based artist Scott Slagerman in collaboration with Jim Fishman made this tasteful Wood & Glass collection. Every glass vase is formed by blowing it into a shape cut from wood while it lays flat on a table, making sure that the different objects fit perfectly just like puzzle pieces. To get a labor-intensive process which needs an exact dance of rate and motion, the added difficulty of working with a flammable enclosure appears remarkable. From Slagerman’s artist statement:

Scott Slagerman has always been captivated by the glass — how it is transformed from a delicate, yet good unyielding state to molten fluidity and back again; and how this mutable substance, via a process that is both dangerous and delicate, can create objects equally esoteric and essential. He’s fascinated with the role that glass plays architecture, as well as from the everyday items which we find around us.

You may see more from the Glass & Wood series on Slagerman’s website.

An Artist Brings His Kids Ideas into Cute Wooden Character

Taiwanese artist Yen Jui-Lin handcrafts adorable wooden characters that are so filled with personality; they seem like they could spring into life at any second. Each of Jui-Lin’s lively “little characters” is co-designed together with his two children. Together they share thoughts, and then Jui-Lin brings them into concrete reality by carving the unique cast of characters from wood.

Jui-Lin utilizes a selection of different woods, stains, and varnishes to realize such variety in his creations. Ranging from animalistic animals to Siamese twins joined at the head, these items are all one-of-a-kind, with every seeming to get their mischievous personality. Their characters are often hauled with subtle engravings, forming small mouths and expressions. Some additionally serve like vases, with flowers or marijuana as sprouting tufts of hair, while others are just unique toys for kids and lighthearted adults.

Follow Yen Jui-Lin on Facebook and Instagram to stay up to date on his work.