Showing posts with label furniture. Show all posts
Showing posts with label furniture. Show all posts

Thursday, August 30, 2018

An Italian Design Studio Create Furniture from Eroded Travertine Encased in Resin

Italian design studio Alcarol has teamed up with Tuscan rock company Vaselli to make a table and stools created of eroded Travertine encased in resin.

Presented at BSPK, a furniture gallery curated by Nicola Gallizia, throughout Milan design week, the table and stools are manufactured from Rapolano Travertine — a kind of sedimentary rock which has been bandied around Siena, in Tuscany, for centuries.

Alcarol and Vaselli took blocks of this eroded travertine stone and cast them in transparent resin. The resin that strengthens and keeps the stone’s cavities is then polished to create perfectly angled blocks and slabs.

Fixed onto a burnished steel base, a slab of Travertine that fades into clear resin creates a low table, while the blocks of stone and resin are cut into ideal cuboids to design the stools.

The designers stated that clear resin was chosen as it resembles the water where these stones lay submerged through various eras.

 

Travertine, which can be white, tan, cream colored, and even rusty is a terrestrial sedimentary rock with a crystalline-texture.

For centuries it has been quarried from the Italian town of Rapolano, which is known for its hot springs where the Romans used to shoot thermal baths.

The stone is formed by the precipitation of carbonate minerals, frequently at the mouth of a hot spring or in a limestone cave, and its porosity is a result of the existence of organisms like macrophytes, bryophytes, and algae.

It’s been utilized as a construction material as the period of the Etruscans around 800 BC.

The travertine bits are the newest in a lengthy set of resin furniture created by the Italian design studio based on precisely the same idea.

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Tuesday, May 8, 2018

Atmos Studio Designed Mesmerising Plant-like Structure Staircase For HIDE bar

Multidisciplinary creative studio Atmos located in London was commissioned to design and produce the exuberant centerpiece stairs that weave between the three levels of experience in HIDE bar on Piccadilly Road, London. The stair‘s design delivers a plant-like structure which grows like an irrepressible life-force from beneath, bursting out of the shadows of their cellar towards the daylight above. ‘stairstalk’ unfurls in the 1st-floor level, as if reuniting using its vast household of arboreal brethren in green park nestling just past the full-height scenic glazing fronting Piccadilly.

Stairstalk’s whole surface is made of European walnut; the most critical structure has been layered from glued pieces of thin oak veneer, laid and laminated together against curved molds then hand-sanded into shape to shape an elaborately-curving lumber structure whose visible grain lovingly communicates its route. Atmos’ evolving layout took its cue from the natural palette, playful imagination, and keen aesthetic developed by the interior designer and the project customer.

The stair slides along a smooth bar wall to its left before this cedes in the coil’s center into a circular glass-domed beer-hop rummager, especially referred to as a hand-turned cast-iron set of cogs that mention the distilling process — and permit the barman to rotate and access the bottles inside. On its other side, the wall flanking the hidden elevator undulated and protruded to inflect the stair geometry, just as both ceiling borders meeting the stair also undulated to meet it.

The inner balustrade split where it strikes the ground level to form a fibrous offshoot that encircles the stair void, bifurcating to continue upwards as the major stair stem, but additionally unwrapping to form front nosing of the tread only 1 step upward, which subsequently further bifurcates to not only wrap around the border of the 1st floating tread (eventually mixing back into the stringer where it sprung, its fibers invisibly flawlessly together with the ridges of its underside), but also then climbing as a robust thick strand which eventually forms the outer handrail, gliding up before wrap around the wall to the lift. The tread geometries were assembled from pure arcs, conjoined tangentially and effortlessly in their tips, for simplicity of transcribing drawings into fabricated elements.

The oak was slightly darkened with natural stains and oils to help reveal its grain, brushed on thicker and more densely in regions of desirable contrast, which also helps ease optical navigation of the stairs‘ heady forms. The concealed metal center, structurally required to permit the stair to float upward free from constraint at the walls, is permitted to shimmer through briefly at front nosings. All floating cantilevering treads above floor level were fortified with 10-15 mm layers of stainless steel plate, which were further sheathed in plywood and interconnected with short, thin steel stubs — reinvigorating the structural principle under which cantilevered stone treads were traditionally reinforced.

h/t designboom

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Monday, October 16, 2017

Dutch Designer Built Rising Chair Inspired by Nature

When you hear someones says “flat pack furniture” you may automatically think about IKEA furniture, but contemporary Dutch designer Robert van Embricqs has made a collection of furnishings–called Rising Furniture–which will force you to think again.

To build this innovative designs, Embricqs asked himself, “To what level is the object you are creating capable of dictating its design?” Exploring this assumption to the fullest, he sought inspiration in nature, celebrating the complex transformations located in the natural world around him.

Embricqs’ chairs, tables, and bowls begin life as flat, single parts of bamboo. Each bit then opens up to find its final shape, like a flower in blossom. When not in use, they may be seamlessly folded back up again together hardly visible hinges, concealing their secret arrangement.

Embricqs examines the collection as a collaboration between himself and the material, whereby the last outcome could not be wholly predicted. Explaining the ending stage of creating a bit, he says, “I still did not understand what shape the chair would take in the long run. This depends upon the several designs of this wooden beams that the seat is constructed of. Folding the seat into its definitive form, as a creator, a special connection to the material was born.”

More info: Website

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