Showing posts with label paper-art. Show all posts
Showing posts with label paper-art. Show all posts

Tuesday, January 8, 2019

Meticulously Shaped Animal Portraits by Tiffany Miller Russell

Colorado-based wildlife artist and natural history illustrator Tiffany Miller Russell uses carefully molded paper to express the special characteristics of her animal. To begin the sculptural works, the artist creates the first drawing. She then cuts and forms found paper by hand to build a three-dimensional pixel beneath the original illustration.

“I delight in the unique and unusual,” she shares Colossal,” and my goal when creating is to speak with my viewer that excitement. I hope to pass with a small amount of miracle for the world around us.”

Along with producing paper sculptures for the past fifteen years, The artist has also volunteered in a zoology prep lab and paleontology laboratory to further her knowledge and personal enthusiasm for evolutionary history. They have personalities and go about the world in their own ways that matter.

 

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Friday, January 4, 2019

An Artist Creates Paper Cranes Out Of Delicate Cuts and Flowers

In 2015, paper artist Cristian Marianciuc started a 1,000-day objective to make a new paper crane each day. The extravagant designs included layers of multicolor paper, precise cuts to mimic feathers, and frequently gilded elements added onto the wings. After his self-imposed challenge, Marianciuc has given himself more time to work on each design, allowing cranes to grow over days instead of hours. Without these limitations he is able to vary his techniques, making increasingly difficult works that present more complex folds and cuts. Marianciuc posts his paper art frequently on Instagram.

Wednesday, April 25, 2018

Colorful tapestries Created from Burned, Threaded and Decorated Paper

Garden of Mutei is an exhibition of new compositions by Karen Margolis, featuring works from the Brooklyn artist’s “Integration” series, her most significant compositions thus far, crafted from burned, painted and threaded paper.

The exhibition title refers to a beginning stage of emptiness where shape can emerge. Margolis cultivates her compositions out of this darkened area, weaving ephemeral ideas and ideas into tapestries of vibrant colors. The circle recurs throughout her works as the artist’s primary way of communication, the embodiment of both infinity and perfection and within her reinterpretation of negative and positive space.

“I search for the connective tissues between the world and the microscopic. I’ve discovered it in the circle. It pertains everything. As the most elementary component in the world, the circle is seen in all of nature in addition to in religious symbols representing infinity, devotion, and totality,” Margolis describes.

To make her incredible tapestries, Margolis burns holes into Abaca paper in the act of removal that she balances by painting as well as sewing map fragments to the paper. The artist’s latest works are scaled to over double the size of her first “Integration” compositions, incorporating a wider set of colors and dense concentrations of ribbon. The threadwork provides the appearance of coming together while also seemingly falling apart, two straight opposed notions which reference creation and destruction, an intrinsic characteristic of her job.

Simultaneously, the functions could be read as extreme emotional portraits: a translation of significance into visual routines. In every one of the functions, Margolis references a color chart she created, in which every color variation is representative of a designated emotion. Implementing this particular code, Margolis records private feelings and inner monologues to her arty compositions as a chronicle of the organized chaos of operations within the mind. This way, Margolis imbues the article with significance, in addition to encrypting it to obfuscate comprehension.

Read more: website

h/t creativeboom

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Wednesday, April 18, 2018

An Artist Creates Giant Suspended Sculpture from Thousands of Pieces of Origami

Award-winning architect Kody Kato has produced a fantastic, gravity-defying hanging installation made entirely out of 5,500 pieces of origami.

On display at G.F Smith’s White Space gallery before the end of June, the sculpture is created from Takeo newspaper and has been assembled by a group of envelope manufacturers off-site, while over 20 university layout students assisted in setting up the piece in London.

The artwork is a piece of G.F Smith’s Beyond Surface takeover at which you are going to have the ability to find out more about some of their most exquisite, innovative and technically innovative papers in the world.

In addition to seeing Kato’s magnificent installation, you will have the ability to try your hand at The fantastic Paper Aeroplane. Developed by long-term collaborators Produced Thought, the plinths allow you to learn more about the science supporting papermaking by embracing laboratory equipment and looking at how weight and fold are intrinsic to the performance of a sheet.

Read more: Website

 

h/t Creativeboom

The post An Artist Creates Giant Suspended Sculpture from Thousands of Pieces of Origami appeared first on FREEYORK.

Friday, December 8, 2017

Jamie Hannigan Creates Intricate Paper Sculptures Only Using The Pages Of A Book

In accordance with Jamie Hannigan: “Maybe I am just easily interested, but I often see magic and wonder in things that others might consider mundane. I’m a very creative individual, and as a child, I often created fictional narratives to go along with objects or places.

My inspiration comes from all around. Sometimes I’m really into characters, such as toadstools and mushrooms. Sometimes I am really into man-made objects, like ships. Sometimes I am really into concepts and topics, like astrology or mythology.

I go through phases, and I have learned to adopt that in my work. I create the things I would like to create at that specific moment. If just one other person finds pleasure in what my imagination led me to make, I consider it a success.”